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Two months later, I ran into Cole Hawkins at an art exhibition at the Louvre.
He was wearing a light gray suit, standing in front of Monet's Water Lilies. His profile was captivating in the soft light.
"Miss Parker," he said, turning around. His eyes lit up when he saw me. "I didn't expect to see you here."
"Mr. Hawkins," I smiled. "Are you a fan of Impressionism?"
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